Elizabeth Murray
Elizabeth Murray was born in Chicago in
1940. She received a BFA at the Art Institute of Chicago and an MFA from Mills
College in Oakland, California. Murray lived and worked in New York, and died
in August 2007. She was a pioneer in painting. Murray had a distinctive shaped
canvase break with the art-historical tradition of illusionistic space in
two-dimensions. Her artwork took the shape of Jutting out from walls and are
sculptural in form. Many of her paintings and watercolors offer a playfully blurred
line with the painting as an object, and the painting as a space for depicting
objects. Murray’s still lifes are reflective of paintings by masters such as
Cézanne, Picasso, and Matisse. However, like Murray’s entire body of work, her
paintings give life to old art forms. Murray’s paintings breath life into domestic
subject matter, and often include images of cups, drawers, utensils, chairs,
and tables. Working with these familiar objects, she has matched her these
objects with cartoonish fingers and floating eyeballs. Murray’s paintings are
abstract compositions created in bold colors and multiple layers of paint. The
details of the paintings reveal a fascination with dream like qualities and the
psychological underbelly of domestic life; offering her inspiration for
artwork. She was the recipient of many awards, receiving the Skowhegan Medal in
Painting in 1986, the Larry Aldrich Prize in Contemporary Art in 1993, and a
John D. and Catherine T. MacArthur Foundation Award in 1999. Murray’s work is
featured in many collections, including Walker Art Center in Minneapolis, the
Museum of Modern Art in New York, Solomon R. Guggenheim Museum in New York, the
Art Institute of Chicago, and the Museum of Contemporary Art in Los Angeles.
I enjoy Murray's art work because it is so unique. I love how it takes different parts of the body, like the fingers in image one, and distorts them, and then combines them back together in sort of a puzzle.
I enjoy Murray's art work because it is so unique. I love how it takes different parts of the body, like the fingers in image one, and distorts them, and then combines them back together in sort of a puzzle.
"Bowtie"
"The Lowdown"
"Worm's eye"
"Bop"

"Smartness and Sensibility"
http://www.pbs.org/art21/artists/elizabeth-murray
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